Tuesday, March 20, 2012

Take Your Mama To Work Today - TODAY!

Today is the official publication day for Violet. You can meet her in this book.
Published by Atheneum Books for young Readers, an imprint of Simon & Schuster.
Have fun!

Take Your Mama To Work Today is a PW pick of the week March 19, 2012!

“Reichert embellishes a narrative style reminiscent of Laura Numeroff’s in the If You Give… series and presents a sturdy heroine evocative of Kay Thompson’s Eloise…. Many families will enjoy the interplay here between mother (efficient and loving) and daughter (sky’s the limit).”
Kirkus Reviews, January 1, 2012

“Violet proves to be a more benevolent, less spoiled version of Eloise…those still too young for the labor force should get a kick out of seeing how easy it is to discombobulate the button-down mind.”

--Publishers Weekly, January 16, 2012

“Boiger’s whimsical watercolor illustrations show the charismatic little helper playing chair tag to “liven things up” in a meeting and teaching an adult how to add a “snazzy personal touch” by lying face down on the copy machine. Lots of cheeky fun that’s sure to elicit giggles.”

School Library Journal, February 2012

“Young Violet offers children plenty of advice for the professional world in this lighthearted tale that uses the circular, second-person style of Laura Numeroff’s If You Give . . . series…. Eloise-esque illustrations expertly capture the exuberant girl’s innocuous misbehavior as well as all of the exhausted adults.... Children will relate to Violet’s enthusiasm to return to the office, and adults will recognize the coworkers’ subtle eye rolling.”

Booklist, March 15, 2012

“Violet is the perfect office assistant on Take Your Child to Work Day—she helps the boss with his presentation, answers her mother's phone, and delivers packages to the mailroom. Her antics along the way "may" not be quite so helpful, but don't tell her that! Adorable illustrations by Alexandra Boiger ramp up the fun.”

—Scholastic Parent & Child, April 13, 2012

“Boiger’s pencil and black tea drawings, punched up with bits of watercolor, effectively display time and movement with just the right amount of chaos as she sets adults off-kilter and places Violet everywhere at once. Sly comparisons of coffee breaks to school snack time and mid-afternoon slumps to naptime remind adult readers that they probably really did learn all they need to know in kindergarten, but what really makes this narrative work is the fact that Violet is clearly the heir to Kay Thompson’s Eloise. Her obstreperous energy, brazen confidence in the face of adults, and even her body type, with its poochy little tummy and continually upturned chin, charm audiences for the same reasons that Eloise did, suggesting that every stodgy grownup space needs a pixie.

Hence this is one of those books clearly aimed at two audiences: the children who will delight in reading about a freedom they would never enjoy without serious consequences, and the adults who need reminding that yeah, it’s tough, but they love their kids anyway.”

The Bulletin of the Center for Children’s Books, May 2012